GİZEM ÇEŞMECİ

2D

She Was born in Bursa, Turkey in 1989. She has studied in Aydın Ayan and Mustafa Orkun Müftüoğlu workshops in Mimar Sinan Fine Arts University. She has graduated from Mimar Sinan Fine Arts University bachelors of arts with honors degree. She was awarded with third place for “Sakıp Sabancı Art Awards”. The artist has participated in numerous international mixed exhibitions. She is currently pursuing an M.A degree in Anadolu University Fine Arts Graduate School Department of Painting.

In our age the individual is reduced to an indifferent component of production process and to a dull and shallow consumer. The fact that individuals are unable to form an organic unity with their environment leads to isolation of them in a mechanical life where individuals are deprived of the feelings of pleasure and excitement. The melancholic and pessimistic affect of modern spaces forces human beings to question their own nature. Modern spaces with the feeling of crowded- ness they create represent individuals’ cruel indifference and numb selflessness. Modern spaces obliterate individuals’ lively feelings. Abounded spaces, on the other hand, while representing a past life with its expressions, make one wonder about the meaning of obliteration. Spaces with historical continuity and uniqueness reflect the momentary singularity of the feelings extending to the “past”. As the spaces differentiate, the feelings affected by them also diversify. However, what is being lived in our time is the depreciation of the diversification and thus the loss of the sanctity of ‘times’.


2013, Bazaart Karma Baskı ve Resim Sergisi, The Sofa, İstanbul. 

2014, “WATER”,Artists Without Borders Karma Sergisi, Yunanistan.

2014, “Genç-İz Özgün Baskı ve Vitray” Sergisi, İstanbul.

2014, “Aydın Ayan 1 No’lu Resim Atölyesi” Karma Sergisi, Galeri Binyıl, İstanbul.
2015, “Genç Sanatçılar”, Chalabi Art Galeri Karma Sergisi, İstanbul.
2015, “AKA-DE-Mİ” Karma Sergisi, TÜYAP, İstanbul.
2016, “Sakıp Sabancı Sanat Ödülleri” Karma Sergisi, Sabancı Müzesi, İstanbul.
2016, “Mezuniyet Sergisi”, Mimar Sinan Güzel Sanatlar Üniversitesi, İstanbul.
2017, “Sen Düșüyorum Ya Ben?, Karma Sergi, Bisanthe Gallery, Tekirdağ.
2017, “Synergie”, Karma Sergi, Platform Armoni, Ankara.
2017, “Gerçekçi Ütopyalar”, “7/26”, TÜYAP, İstanbul.

2017, “Bisanthe” 4.Uluslararası Plastik Sanatlar Çalıștayı, Tekirdağ.

2017, “Sinerji/Synergie” Karma Sergi, Dibeklihan, Bodrum.

2017, 4.Ulusal Akçaabat Resim Çalıștayı, Trabzon.
2018, “FullkarıșıkA”, Kümeart Sanat Galerisi, İstanbul.

2018, “Ben Hep Evdeyim”, Galeri Muaf, İstanbul.

2018, “Mixer Sessıons III”, Mixer Sanat Galerisi, İstanbul.

2018, “Tanıșma Sergisi”, Galeri Muaf, İstanbul.

2018, ”Yeșil Dalga”, ArtAnkara Çağdaș Sanat Fuarı, Ankara.

She Was born in Bursa, Turkey in 1989. She has studied in Aydın Ayan and Mustafa Orkun Müftüoğlu workshops in Mimar Sinan Fine Arts University. She has graduated from Mimar Sinan Fine Arts University bachelors of arts with honors degree. She was awarded with third place for “Sakıp Sabancı Art Awards”. The artist has participated in numerous international mixed exhibitions. She is currently pursuing an M.A degree in Anadolu University Fine Arts Graduate School Department of Painting.

In our age the individual is reduced to an indifferent component of production process and to a dull and shallow consumer. The fact that individuals are unable to form an organic unity with their environment leads to isolation of them in a mechanical life where individuals are deprived of the feelings of pleasure and excitement. The melancholic and pessimistic affect of modern spaces forces human beings to question their own nature. Modern spaces with the feeling of crowded- ness they create represent individuals’ cruel indifference and numb selflessness. Modern spaces obliterate individuals’ lively feelings. Abounded spaces, on the other hand, while representing a past life with its expressions, make one wonder about the meaning of obliteration. Spaces with historical continuity and uniqueness reflect the momentary singularity of the feelings extending to the “past”. As the spaces differentiate, the feelings affected by them also diversify. However, what is being lived in our time is the depreciation of the diversification and thus the loss of the sanctity of ‘times’.


2013, Bazaart Karma Baskı ve Resim Sergisi, The Sofa, İstanbul. 

2014, “WATER”,Artists Without Borders Karma Sergisi, Yunanistan.

2014, “Genç-İz Özgün Baskı ve Vitray” Sergisi, İstanbul.

2014, “Aydın Ayan 1 No’lu Resim Atölyesi” Karma Sergisi, Galeri Binyıl, İstanbul.
2015, “Genç Sanatçılar”, Chalabi Art Galeri Karma Sergisi, İstanbul.
2015, “AKA-DE-Mİ” Karma Sergisi, TÜYAP, İstanbul.
2016, “Sakıp Sabancı Sanat Ödülleri” Karma Sergisi, Sabancı Müzesi, İstanbul.
2016, “Mezuniyet Sergisi”, Mimar Sinan Güzel Sanatlar Üniversitesi, İstanbul.
2017, “Sen Düșüyorum Ya Ben?, Karma Sergi, Bisanthe Gallery, Tekirdağ.
2017, “Synergie”, Karma Sergi, Platform Armoni, Ankara.
2017, “Gerçekçi Ütopyalar”, “7/26”, TÜYAP, İstanbul.

2017, “Bisanthe” 4.Uluslararası Plastik Sanatlar Çalıștayı, Tekirdağ.

2017, “Sinerji/Synergie” Karma Sergi, Dibeklihan, Bodrum.

2017, 4.Ulusal Akçaabat Resim Çalıștayı, Trabzon.
2018, “FullkarıșıkA”, Kümeart Sanat Galerisi, İstanbul.

2018, “Ben Hep Evdeyim”, Galeri Muaf, İstanbul.

2018, “Mixer Sessıons III”, Mixer Sanat Galerisi, İstanbul.

2018, “Tanıșma Sergisi”, Galeri Muaf, İstanbul.

2018, ”Yeșil Dalga”, ArtAnkara Çağdaș Sanat Fuarı, Ankara.
CLEAR FILTER