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Perhaps it is time to empathize with other living things.

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Eda Şarman

 

Maybe it's time to empathize with other living things.

Eda Şarman, architecture, phenomenology and “Tentacular Thinking” with the practice of focusing on, venues as an organism as a perceptionLit is. EDA, which makes interdisciplinary production, undergraduate education 2016LPratt Institute's architecture insect in New YorkLHe completed his üm. His master's degree was on Moving Image in the Royal College of Art, which was located in London in 2019. 





What are you aware of about life and work?

I don't know if I'm aware? “Aware” is a very sharp word. I am in an effort to notice more, I can say. But I guess it's what triggers my art practice on the basis of my work; I can say that I am aware that architecture and the environment we are in structural are not a fixed place. Four yearsL I noticed that first. Different in that placeLI gain more awareness and try to raise awareness with the works that I feel and make that cyclical change.


Maybe it's time to empathize with other living things.

What would Eda in the parallel universe do?

I think I'm already living my parallel universe. (Laughs)



Maybe it's time to empathize with other living things.

If you didn't do what you did right now, what would you do in another world?

I feel like I couldn't do anything else. These four yearsL Something that came with previous awareness.
I've been trying to turn my life into the shape I want to live in the last four years. Maybe it's boring, but I guess I would be like that in the parallel universe.



Maybe it's time to empathize with other living things.

Let's think about it then. If you were touching and touching the same things in the parallel universe?L would you express? A similar awareness is how otherwiseL would you express?

Since it is a multidisciplinary study practice; Sometimes I can express myself with painting, sometimes with video, sometimes with photography, sometimes with a performance. In short, I use all kinds of vehicles. So I'm actually trying different variations actively.

So I don't restrict myself to the universe where I am. I'm trying to find out if something else is needed to create something. I'm trying to attract the things that stay away from me somehow to myself and show it in another way.



Maybe it's time to empathize with other living things.


What would they say if Eda's fish were revived?

My fish are pursuing breath. A frequent theme that is frequently in my fish-works. It seems very interesting to me, such as keeping fish in different containers or aquariums, of course, closing every living thing. Fish has a completely different body-organ system.

Breaking from the natural habitats they are used toLThe IP is irritating that we bring it to the environments we want. That's why my fish probably shouted as “Breath, oxygen”. We are in a period when we seek breathing as human beings and even humanity. Perhaps it is time to empathize with other living things.

Maybe it's time to empathize with other living things. Maybe it's time to empathize with other living things.

Which word or question do you use the most?

It used to be "why". I don't use it anymore because it leads to other "why" that follow. Instead, "howL”Or“ how much ”I ask. I am touched a little more by hand, and I'm trying to shape my life within the framework of questions that will not go to a sublime power. But the most words out of my mouth is “black”. I have a dog named Kara. We live a very crazy life with him.

Black makes me notice something new every day. I see the difference between the perceptions of ownership dogs and street dogs. He loves it out, that energy, that curiosity-every day again. - Kara's energy is reflected to me too and I want to be more outdoors. I definitely say black the most during the day-with love both with anger, but with more love.



Maybe it's time to empathize with other living things. Maybe it's time to empathize with other living things.

Photography: Ali Yavuz Ata
Interview: Sevtap Tuzcu
Video Content: Yasemin Sarıhan
Page Design: Studio Pulle
Video: Özgün Özlü

 

 

 

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