Something obsessed with art, an obsession!
report
Arrival? To be on the road?
Absolutely to be on the road!
A piece that has always returned in the last time?
Bonobo's song Kong.
What would you do if you were able to pierce a ban you know?
You asked a very difficult place! It would be exciting to enter the secret archives.
Do you like poem?
I like. I used to write myself. I went away from poetry, it was too romantic to me. I have been in the last 7-8 years. I think it's good sometimes it is good to get away and then look again.
Is there any difficulty you think every artist should live?
Try something else. In my early stages, I heard that some people from the art world have “my style is a very wide range” or olmada I don't have a seated style ”. I make a video, Painting I do it, I make a collage… It is difficult for those with a traditional expectation to consider the diversity in things as a whole formed by all jobs. When the work is seen, they want to understand who the artist is, and if not, this is a deficiency… I realized over time that this is not an appropriate understanding for me, I think it should not be suitable for anyone. Yes, art obsessionLI don't have anything, no obsession. But it is possible to acquire a language by changing the method and material while wandering around the problems. Artist; Like a fabric pattern or a logo, he can afford to be known as jokes. Trying something new and getting out of the comfort field is a risk, but it is necessary to see it as a process. The art audience sees the artist's process over the years, but he does not know what the artist is experiencing in shorter processes. He doesn't see the trials, those who go to the trash. The fact that the artist passes through these processes and does not return what he does, a form of a form.L it should not.
Yes, art obsessionLI don't have anything, no obsession. But it is possible to acquire a language by changing the method and material while wandering around the problems. Artist; Like a fabric pattern or a logo, he can afford to be known as jokes. Trying something new and getting out of the comfort field is a risk, but it is necessary to see it as a process. The art audience sees the artist's process over the years, but he does not know what the artist is experiencing in shorter processes. He doesn't see the trials, those who go to the trash. The fact that the artist passes through these processes and does not return what he does, a form of a form.L it should not.
Are you perfectionist?
Yes.
How's the production processL It affects this?
Sometimes it may be necessary to produce in a very short time. This is a process of thinking day and night. In order to visually solve something, it is necessary to solve it conceptually. Conceptual solutionsLÜNCE, WHAT THE IMAGEL Self -solve, as if it should be clarifying a muddy waterLüp appears. Perfectionism, on the other hand, can cause things such as concern or sometimes losing self -confidence before the work emerges.
Systematic, day and night, to the finest details, and a volunteer, one of the beauties coming with coincidencesL can make room?
Sometimes it's hard because I'm a person who doesn't like any good or bad surprise. Nevertheless, life dictates itself as much as you want. I have completely analog 2-3 months of calendars that I made by banding the papers to each other. I like to look at my time from such a perspective. These calendars are the right to settle the concern.LOn the other hand, it also creates an illusion as if I have a dominance on time. Because what you write on the calendar is often scribbled and writing to cells separated into other daysLthey are. I am trying to accustom and train myself for these areas of coincidence. This happens while doing art, many things come across me by chance. You see something and look at the story.
Macguffin, in the words of Hitchcock! In the film pervert, the female character plays a large amount of money at the beginning of the film, but we don't see anything about it in the continuation of the film. Macguffin: The importance of something that is thought to be great becomes insignificant. As you start something, while tracing a storyL It's not what you're pursuing, it's what you encounter when you go after him sometimesL issue. So coincidence is a very important thing. Like the writers who go somewhere to make observations and get small notes to get inspiration, the story can suddenly go up. For me, navigating on strange websites, mixing something old, visiting lice markets wherever I go can be the forms of making room for stories and these coincidences.
How's the preparation processL is working?
There is a long research process for almost every job. I am collecting all the information that I can find about that existing and actually existing. I would like to explain from a concrete example. Marilyn Monroe'nun James Joyce's Ulysses'un read a swimsuit with a swimsuit PhotographyI met and wanted to create a narrative about this moment. I thought of the idea of creating the record card of the inventory of the library, where the book might have been borrowed. For this PhotographyWhen was taken, what is the card of the public library in New York at that time?LIt is necessary to find the answer to many questions such as whether there is a ballpoint pen or not. You should also search for a number of manuscripts from existing library cards. Many things of that card is real, but the existence is not real, maybe there is really such a card, maybe there is no, but I do it Painting It makes it existing. So something that does not belong to the real world is solid to realityLit is.
Can you bring a lot of questioning and intuition to do things that will defeat more than reality today, to break the settings a little more and to see the truth and to look back a little more?
Now, we are in a world where real and fiction are mixed. On the other hand, I realized later that it was actually during the period of encyclopedias in my childhood. What was written in encyclopedias seen as holy books was considered correct. But who wrote them? How is this dateL writingLIs it? Did we read a date written by those who lost wars? Alexander the Great has a story, for example, what happened to the Persians? This is everything written. We are after the truth but aceL, what is the date we accepted correctlyL Written? There is an alternative to this history, these alternatives can be somewhere, there is a huge story and there is never a single reality.
What's up with the audienceL There is a communication?
I love the stories of museum theft, smart murder films. In such films, the director plays with the audience, leaves some clues to see what is smart and careful to see and in this way establishes dialogues. I'm trying to establish a similar dialogue with the audience. Some of the documents I use in my paintings really have, some do not exist, some may have undergone changes. There are always tiny games in the documents I have changed, some viewers catch these games, and there is something very sweet between us, just between us. This is what I'm actually trying to capture with the audience, something special for us, just between us. When we understand something internal or personal written by a writerLUmseriz, something like him. The capture of irony, intelligence and small details together.
How far can you reach out when you trace the fiction issue for your process?
The first exhibition is in Berlin. Azade Köker was doing an exhibition. He invited me to a mixed exhibition. He was on bodies and identities. It was a really key exhibition for me to understand different perspectives. There was just a video I prepared for that exhibition. It was a job about looking for your own story. Years later, when you look back and look at the work I do, the age I can call myself a child, it is very nice to see the bridges between them and the things I do now. Maybe there are no direct visible connections, but there are still bridges.
Of course, dealing with identities was the subject of that period, it was a period in which postmodern theory was frequently discussed, and in the areas where artists interact, the issue of identity often brought to the forefront. In this respect, it was not possible to touch the identity issue. Now when I looked back, I started to create and edit narratives and fiction. Maybe I didn't know that day, but it actually started from those days.
When I was a kid, I loved Arsen Lupenvari things. Maybe my father had an impact, it could be one of the things we watch together. It may be related to the family. My father is a person who loves archive materials. At a young age, as a secondary school child; Franz Kafka, Arthur Rimbaud, existentialists, Dark Literature either came across me somehow, or one pointed to another. When there is no internet.
You see something in a book, like a clue, you are looking at the encyclopedia, what is it, it drags you to another. It is a matter of searching for a trace, as the pieces in your head are joined, a fiction is formed on your headLit is. Maybe this is a matter of real and fiction. When I was in university, I would have worked hard with the video, it was a bit like fashion of the period, the periods when the video was acceptable. I am also involved in the moving image, and my master's degree is already in the field of cinema and television. If we go down to the root of mixing real and fiction in me, I think I can track it up here.
I stayed in England for 1.5 years. But I didn't produce art there. I was doing a master's degree after a doctorate, it was a very loaded program. Now I don't regret it, but it was very difficult for me because it was a very loaded program. It was the time I worked most of my life, and it was time to read and visit the exhibition. When you look at today, those days have an impact. I worked in art in plastic arts. Then I studied business to understand the marketing of art. Instead of something like art management, I wanted to study business. He changed my view of the world. We are in a very money -oriented world. When we think of art buyers, people like you-like as you are rarely art buyer. For the artists who do not deal with decorative art, the intersection set is actually so small that you are very happy in that intersection set.
Photography: Emotion law
Video: Emotion Law
Interview: my story Pala
Page Design Application: Ali Akhasanoğlu
Page Design: Studio stamp
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